The first half of the book is excellent! In the first half of Endless Helix, Ban’ya Natsuishi of the World Haiku Association uses a series of haiku poems to unleash a collection of sensory stimulants. It invokes sight and touch; also see, hear, and taste, with words like “unfolding from the fountain” to “saw noise,” then “rich colors of nothing,” along with “fields of sunflowers,” followed by “roaring laughter” and “peach tree in full bloom.” The haiku selection paints life in various stages that positively impact the senses.

Understanding the images is uplifting. The images it invokes in the mind of the reader are priceless. It also shows the quality of his poetic craft. For example, the contrast of “rainbow and darkness” with “snow roots amidst jet-black mud” and “mist is the sigh of the sun” expands the imagination and allows the mind to reach new realms as if one were traveling. around the galaxy and exploring the Milky Way.

The second half of the book reaches the reader in many ways. In the second half of Endless Helix, Ban’ya uses dreams in concrete ways to stimulate the mind. The figurative language of the wind as a metaphor could not shake its foundations by blowing through the openings. This means strength to withstand the elements and the test of time. The flow of water invokes cleansing and rebirth after an arduous journey, like a newborn baby experiencing its first refreshing drops of cleansing. The art of massage and meditation can also be understood as captivating metaphors that signify peace.

During the final part of the book, as he walks against the wind down a New York street, he reminds us of golden fruit, angels, and God in his own way, while feeling the rays of the naked sunrise across the sky. East River. What an impressive conclusion to this timeless series of haiku! In a sense, it concludes as Endless Helix, as it travels through time and space touching generational lifelines. This is a great book for all readers and cultures. Ban’ya Natsuishi can be found at: http://www.worldhaiku.net