We all know that for the past 10 years John Cena has been one of the most controversial babyface characters in the rich history of professional wrestling. His apparent lack of controversy on television has been, ironically, a major contributor to the ‘mixed reception’ ‘the champion’ has received since his meteoric rise to the top of the company. ‘Turn Cena heel’ has been released a million times with so many theories and suggestions on how to do it, but I have yet to find anyone who can suggest an effective way to book ‘doctor of thuganomics’ as a handsome face and so So much so, I have taken it upon myself to try to do it on this; The first “how to” function.

From day one of John Cena’s world title era, it’s not too much of a stretch to call him that, is it? – IWC’s favorite words regarding the company’s face have been “5 fatal moves” and “same old shit” as keyboard warriors around the world have expressed how unhappy they are with the best of West Newbury. But with an ever-changing ring offense being largely ignored by anti-Cena supporters, I think a change in the boy’s move set is far from the biggest issue that should suggest that it be changed. In my opinion, the biggest and most effective way for E to change his Mr. Cena booking for the better has to do with his positioning and display on his weekly Raw headline show.

So everyone knows (including the McMahons, etc.) that John Cena is considered E’s Superman, right? So why not play around with it? My suggestion regarding his televised in-ring exposure would be for Cena to face his opponents at squash matches. Listen to me. During the weeks the E’s want Cena in the ring, they could have him crush opponents and then find things a lot tougher in pay-per-view. It would allow him to steer clear of the ‘safe’ work style for which he has been so widely criticized in his slow-paced ‘five moves from the return of doom’ bouts and still save his body. And while various types of lower and middle undercard would feel the rage on TV, opponents who were elevated to face Cena on pay-per-view would be elevated in the eyes of fans when they actually tested Cena and pushed him into longer matches. in the pay-per-view event of each month. In this way, Cena could save his body on Raw, work in ‘safe’ matches with pay-per-view, continue his reign as Champion, and still turn the people around. In short, if you crushed people week after week, challengers who weren’t crushed would be pushed regardless of whether they win or lose. The opposite of what happens now, where everyone dominates Cena and then loses.

It would be a simple and easy-to-implement initiative that, at the very least, increases your likelihood of putting people above and not being considered ‘boring’. Of course, it’s just one piece of the puzzle and changes are needed to its promo delivery and behind-the-scenes segments as well, but the Champion could, in my opinion, kill the whispers of his lack of wrestling skill to make such a change.

Singing is a gift, you either have it or you don’t. True or not? Well, up to a point.

There is no denying that certain people seem talented, they just seem to be able to open their mouths and these sweet melodic sounds come out. However, more and more people are beginning to realize that singing is a learnable skill. You may not end up being the next Sinatra or Whitney Houston, but they will certainly call you in for a song at both formal and informal gatherings. Singing is rightly now considered a learnable skill.

But how does a ‘non-singer’ become a ‘singer’? Much is due to technique and practice.

Here is a very simple breathing technique to show what I mean.

Lie on your back. I like to choose a hard surface like the floor. Now put your hands on your waist with your middle finger pointing towards your belly button.

Now start to breathe deeply. You are not trying to fill your stomach at this point, all you are doing is seeing the difference between the shallow breathing, the way most of us breathe, the lazy way.

Let your breath out, gently, count to 5, at this point you should feel your stomach begin to rise and your hands with them, also notice how your hands begin to stretch out. Rinse and repeat this exercise ten times.

This is an exercise that you must repeat several times a day. Don’t worry about the lying down look that was just to show you how your diaphragm works. Practice daily before getting up in the morning and before sleeping at night for 5 to 10 minutes; I do the exercise right after cleaning my teeth.

A good tip is to practice in front of a mirror in the morning and at night and observe closely as you inhale. If it seems like you’re short of breath, you’ll need to hone your technique until it looks more natural.

Gradually increase this exercise so that you do it four to five times a day. It is the type of exercise that you can do almost anywhere without attracting attention. Like any exercise, it will be difficult at first, but the more you do it, the easier it becomes.

As you breathe out, whisper a quiet “ah.” At first, the “ah” will not last much longer than five seconds, but as you practice, you will be able to hold it for up to half a minute. Those who really practice can hit the minute mark!

These are just a few simple breathing techniques that you can do at any time during the day. They illustrate, I hope, how simple techniques, when combined into a program, can give you the encouragement to believe that you can actually sing. If you are “gifted by nature,” proper singing techniques will enhance that gift beyond recognition. Feel free to visit my blog for more information on how to become a better singer.

I grew up in the 1980s. That was the era of the big labels, the big tours, and the great hairstyle! A lot of money was made. Bands of the 60s and early 70s talked about how they screwed up but that these 80s bands were winning it. Go back and watch the Billy Joel or John Fogarty episodes of “Behind the Music.” Bands were getting screwed from left to right by everyone, including promoters, managers, and record labels. The attitude among the ruling elite of the music industry was: “These are hippies. Keep them high and make sure they have a lot of groupies and they’ll be happy. They don’t know how to handle money. So we’ll take care of that for them.” . This is why many artists of the late 60s and early 70s ended up penniless once the ringing in everyone’s ears had faded.

Fortunately, in the late 1970s, things were changing and in the 1980s with the arrival of MTV, smarter artists, and a legacy of horror stories from a decade before the musical artist ruled the planet. The artists in that area were some of the most influential people in the world and some of the most financially successful. Some of the artists of the 1970s and 1960s also enjoyed major comebacks and financial success during that period. The image of the musical artist. Exactly the opposite of today.

So what the hell happened?

Gene Simmons and many others would like to blame grunge for the current situation. In the early 1990s, under rock music suffered a stir. From an artistic point of view, it seems to have been necessary. Grunge was something of a reset button, and while some artists in that movement were very low-key in their performances, bands like Rage Against the Machine had crowds gathered in mosh pits. It wasn’t all dark stages, depression, and shoe looks. Keep in mind that whenever there has been a major change in the world, there are always several drivers. For example, the Vietnam War, the Kennedy assassination, psychedelic drug experimentation, and Watergate entered the pot that created the hippy movement. It was not just a factor. With that in mind, let’s go back to the “glory days” of the late 1970s and 1980s.

In the 80s it was very expensive to record an album, master it, make a video and promote it. Record labels would spend thousands before the song or album was released and never knowing what kind of return on investment to expect. Why was it so expensive? In reality, it takes a village for a band to be recorded, videotaped and promoted. Many of you reading this now have learned it the hard way. We’ll get back to that in a minute. Albums like Purple Rain and Born in the USA had dozens of people making sure that everything was done and that it was done right. This was not yet a guarantee of financial success, but the records were really well done. The artist concentrated on writing good music. The band concentrated on playing that music perfectly live and in the studio. The video director and his team gave the video their full attention and the people at the label worked hard to get the record and the video to play and support (pay for) the tour. He was a good model. Quite expensive, but it worked, and it gave many artists of that time a lot of financial and social capital. Then someone had a “better” idea …

Crybaby Winy Complaining …

So we have this well-oiled machine, but still some people were not happy. Many artists felt that the big labels controlled the business. Big evil corporations crushed real artists. Many shouted “It’s not fair!” That was his right to do it. The war lasted about 10 to 15 years and when the smoke cleared. The tag system was dead. The independent artists had won. The music business was now completely “democratic”. We wanted a “fair” system … and guess what? We got our wish. The business is completely democratic. You can burn a great sounding disc at home. There are mastering services that will master your record very well for a very low price or you can even do it yourself. Technology also makes video creation very inexpensive and fast, and there are literally HUNDREDS of targeted marketing services at the freelance musician’s price. The Internet allows you to promote yourself all day and night for practically free. Now everyone can be a rock star!

Where are all these rock stars ???

With all this technology and free promotion, why isn’t EVERYONE a rock star? If you’re a musician reading this, you’ve probably noticed that while all of this democracy sounds good … I mean that democracy HAS to be good, right? Why am I not having the success that I feel I should or even feel that I deserve? Some 20 years ago something disturbing began to happen. You would buy a CD of your favorite artist only to find that the only good song was the one you heard on the radio. This is REALLY what happened to the music business. The drive to do more, spend less, and get that ROI faster leads to albums being produced with maybe good song, rather than great worthwhile material. Fans began to become skeptical. I’m not making it up. This became a big topic in the music press in the late 90s and early 2000s. Bands like Hootie and Blowfish would put out an album full of great material. They sold millions and in an effort to duplicate that success they rushed to make another record. The second album sank. This happened with many artists of that time. You can’t pull a hook and fool your customers. You will lose EVERY TIME!

Album sales were falling. Internet downloads were increasing. People thought … “Hey, your last album was pretty weak. Why should I spend $ 14.99 on your CD and be disappointed when I can get it for free on the web?” I’ll deviate here for a minute. Did you find a price of $ 14.99 for a fairly high CD in the last sentence? Actually, that was a bargain price for a CD at the time. Many CDs were selling for $ 17.99 and some for as much as $ 19.99. It’s hard to imagine people these days spending that much money on a CD, if they would buy one at all. That’s how bad things are. The combination of weaker material, customer disappointment, internet download, money depletion, and more options for people to spend their entertainment dollar on non-music related things is what got us where we are today.

Democracy in action!

So … fast forward and this is 2014. The business is very segmented. Most of the music played on the radio doesn’t translate well live unless you are the original artist. So even the cover bands are struggling. Hip-hop and country have surpassed the success of rock many times over. Now that everything is democratic, the artist has too much on her plate. You need to write, record, produce, mix, and master your own album. book your own shows, do your own promotion, shoot your own video, and bring your own gear. Most record labels are just those “labels.” They are just the business structure that the artist herself must create. There is a lot of freedom these days, but with freedom comes responsibility. This is why not everyone is an indie sensation. Very few can maintain this work ethic. She’s a bitch doing it all yourself. Remember that you STILL need to keep the lights on and feed. Many people are excited to see how open the business really is. It is wide open. There’s a lot of really unique, interesting, fun, catchy, and downright great music. Many artists who couldn’t find a platform even 5 years ago are on tour and make a living from it. But they broke their asses to get there. They formed joint ventures with other artists and companies. They learned how to outsource much of their promotional costs. They barter. They find a way. They have learned that a village is really needed.

Lombardi
http://loulombardi.com

When most modern rockabilly fans think of the genre, the image that comes to mind is probably a three-piece band consisting of a drummer, a bassist, and a singer who also plays electric guitar. That’s the typical rockabilly lineup in modern times. But the piano played a fundamental role in rockabilly music from very early on. Let’s take a look at some rockabilly acts that made the piano an important aspect of their sound.

1. Jerry lee lewis: This one is obvious! Jerry Lee, “The Killer”, is famous for his crazy antics and piano style. Lewis started out as a session man at Sam Phillips’ Memphis Recording Service studios and played piano on many of the early Sun Records (which was also owned by Phillips) releases. Before long, Phillips gave Lewis a chance to make his own recordings and he made the best of it. . Lewis played and acted crazy and really set the piano on fire – literally in at least one case! In his style and in his playing, he was the consummate showman. Lewis set the standard for rock and roll pianists for years to come.
2. Big takedown: Big Al was a bit weird in his early years. He was a simple Oklahoma country boy who taught himself to play the piano on an old, half-functional upright that someone gave to his parents. He started playing country music, which is not that rare for a white musician, but for a black man (actually, just a boy of about 14 when he started to get noticed) country music was really unusual. He also learned a lot from R&B pianists, and it was his R&B performance that ultimately allowed him to play with Bobby Poe and the Poe Cats. Eventually, the Poe Cats became the Rockabilly Queen band Wanda Jackson and toured extensively with her, as well as playing some of her rockier recordings like “Let’s Have a Party.” Downing’s piano playing became a big part of Wanda’s sound. Downing continued to play music and performed with countless artists until his death in 2005.
3. Sonny Burgess and the PacersSonny Burgess and his band The Pacers were one of rockabilly’s wildest acts. In addition to a piano, his training included a trumpet; As far as I know, they were the only rockabilly band featuring that instrument! The Pacers ‘pianist was Kern Kennedy, who became Phillips’ favorite pianist once Jerry Lee hit it big. Eventually Kennedy participated in a session with Burgess and the two became lifelong friends. Kennedy’s style was very much like Lewis’s and fit perfectly with the wildness of Burgess’s act.
4. Jerry Lee “Smoochy” Smith: Yes; another pianist named Jerry Lee. Smith became another of Sam Phillips’ session pianists and appeared on many Sun recordings from 1957 to 1959. Their style was similar to that of the other Jerry Lee and the two have become known as innovators in the sound of “pumping from piano “of the time. He played on records by Billy Lee Riley, Warren Smith, Ace Cannon and others, although he is often not credited on his recordings because he was young and naive and did not belong to the musicians’ union. Sometimes Lewis was credited and other times the name Jimmy Wilson was used.
5. Rich charlie: Rich is another great name that started at Sun Records. He brought a much more melodic and country-sounding piano to his rockabilly recordings, and of course he would become a country music star in later years.

The music these men made with their pianos is just as rockabilly as the records that were made without a piano. The piano brought a different dimension to rockabilly music and these pianists brought a lot of crazy antics to the rockabilly stage!

Miami is known primarily for its sun-drenched sands, tropical climate, and beautiful people, but that’s not all there is to this laid-back city. Miami is an area steeped in culture and has a thriving music scene with enough diversity to keep everyone’s ears happy.

Local artists and international superstars perform regularly in the Miami area, and with a legacy that comprises world-famous artists such as 2 members of the live crew, Marilyn Manson and Flo Rida, to name just a few, it’s no surprise that Miami draws some of the artists. top musical names from around the world.

From intimate clubs to large stadiums, the variety of venues in Miami is staggering. Some of the best spots in the area include The Electric Pickle, The Stage, The Fillmore, and The Culture Room. Many of the area’s nightclubs regularly host some of the biggest names in electronic music, but the scene is so diverse that there is no specific genre that draws a crowd.

Fat Boy Slim, Janet Jackson, Moby and The Cure are just a few of the big names performing in the Miami area in 2012. Arguably Miami’s biggest export is Latin pop sensation Enrique Iglesias, who often returns. to the city where he was raised. in performing for his legions of fans in the city. It is usually located at the largest and arguably best music venue in Miami, the American Airlines Arena.

Locally known as ‘The Triple A’, the American Airlines Arena is the place to be for the biggest names in modern music. At the time of this writing, the last three shows to hit town were Kanye West & Jay-Z, Guns and Roses, and Radiohead, who chose to launch their US tour in the arena of epic proportions. The electric atmosphere and exquisite sound quality make this one of the best music venues in America.

Due to the huge Hispanic population, Miami has a thriving Latino music scene. The Latin version of MTV is stationed in the area, and there are numerous radio stations dedicated to playing both classical and modern Latin music. Da Vittorio, La Covacha and Jazid are probably the biggest and best known Miami venues for this genre of music in the city.

Whatever your taste in music, there is something for every music fan in Miami. And from epic concerts in large stadiums to string quartets played in Miami hotel lobbies, you’ll never be far from music in the Magic City.

The Black Eyed Pea is an internationally acclaimed American hip-hop group. They are from Los Angeles, California, United States. The group is made up of will.i.am, apl.de.ap, Taboo and Fergie. His musical styles are pop-rap and alternative hip hop. The group Black Eyed Peas was created in 1989 when will.i.am, the real name of William Adams, and the real name of Apl.de.ap, Allan Pineda, met and began rapping and playing together in Los Angeles. They also had the opportunity to sign with Ruthless Records which is run by Eazy-E, after drawing the attention of Jerry Heller’s nephew, who is Eazy-E’s manager. Having another friend in their group, Dante Santiago, they called their trio Atban Klann.

At the beginning of its career, the Group faced some problems. Their first album, “Grass Roots”, was never released as Ruthless did not consider the social themes reflected in the group’s music to be marketable to their listeners. The group was renamed Black Eyed Pods by Atban Klann. However, it was eventually decided to call it the Black Eyed Peas, because – as will.i.am stated on the Monkey Business album cover, “Black Eyed Peas are food for the soul.” Changes were also made to the band’s equipment. The band replaced their original third member with Taboo’s real name, Jaime Gomez, in addition to having Kim Hill as a constant background singer. Unlike many hip-hop acts, they chose to perform with a live band and chose a musical and clothing style very different from the “Gangsta Rap” sounds of other Los Angeles-based hip-hop ([http://events.ixs.net/Rap-Hip-Hop.aspx] ) acts at that time.

Most of the band’s performances were showcased on the local club circuit since the mid-90s alongside other artists such as Ozomatli and Jurassic 5. They then released their second album called Bridging the Gap in 2000. This album contained the hit “Request. + Line “with Macy Gray. In 2003, they released their third album, Elephunk, which turned out to be a huge success. Importantly, the beautiful voice of Stacy “Fergie” appeared on this album. cam. (possible protest against the Iraq war that began the same year the song was released. in 2003) with an uncredited Justin Timberlake that turned out to be the band’s first major hit, ranking at # 8 on the Hot 100 of USA, as well as topping the charts almost everywhere. plus, counting six weeks at # 1 in the UK, where it was the best-selling single of 2003.

Another great song from “Elephunk” was “Shut Up” which was ranked No. 2 in the UK. However, one of the critics commented on this song as “the emptiest, most meaningless, vile and generally disgusting song in a generation”) and it topped the charts in many other European countries, including France and Germany. Elephunk was an international success and went gold and platinum in the US, UK, Germany, and other European markets. The third single from the album, although significantly redesigned from the original Elephunk version, “Hey Mama” reached the Top 10 in the UK, Germany and other European countries and reached # 23 in the United States.

The Black Eyed Peas continued to enjoy their work and wrote many new songs. His next album, Monkey Business, was released on June 7, 2005. The album’s first single, “Don’t Phunk with My Heart,” was an instant hit. in the US, peaking at number three on the Billboard Hot 100. This song reached the highest pinnacle of their career and they took home another Grammy for Best Rap Performance by a Duo or Group. The song also became three in the UK, five in Canada, and number one in Australia. Although it also earned some criticism for its obscenity. Another song from the same album, “My Humps,” instantly achieved commercial success in the United States and reasonable substantial radio play, regardless of the sexually suggestive lyrics; it also reached number three on the Billboard Hot 100. The Black Eyed Peas released an iTunes Originals playlist of their biggest hits in September 2005, as well as some that were specially re-recorded for purchase through iTunes. The playlist featured popular songs like “Don’t Lie”, “Shut Up” plus a new version of “Where Is the Love?”

It is worth mentioning here that the Black Eyed Peas also became involved in social welfare services. They established the Pea Pod Foundation to help suffering children around the world. The foundation is administered by the Entertainment Industry Foundation. On February 6, 2006, at a concert in Hollywood, California, Sergio Mendes, Jessica Simpson and other stars joined the band to benefit the foundation.

Keeping modern trends in mind, the Black Eyed Peas also produced a remix album, called “Renegotiations” on March 21, 2006. Actually, it’s the Remixes “for iTunes. Includes remixed versions of Ba Bump, My Style, Feel It , Disco Club, They Don’t Want Music, Audio Delite on Low Fidelity, plus the standard version and video for “Like That.” And the following week it was released on CD without the music video. The EP included DJ Premier, Pete Rock, Erick Sermon, DJ Jazzy Jeff and Large Professor.

For more information on the Black Eyed Peas, visit: [http://events.ixs.net/concert-tickets/Rap-Hip-Hop/Black-Eyed-Peas/index.aspx]

Guilty, Your Honor, I whisper.

Have you ever done something so horrible that you would rather hide in a dark closet for the rest of your life than someone finds out you did it? Have you ever done something so bad that even remembering what you did makes you hyperventilate and shiver?

I have. I made too many mistakes in my life. I should have done better.

Sometimes I imagine myself standing before a judge in a long black robe, with my head bowed in shame. I hold tightly to a large bulging sack. The judge in the long black robe says: “Raise your head to answer me. Who are you?” I answer him in a low voice. “I am a mother, wife and teacher.” “Were you a good mother?” asks the judge. I notice his eyes looking into mine impatiently. “No, your honor,” I reply, shaking my head sadly. “I was not a good mother.”

The judge doesn’t say anything, so I continue.

“I did my best, but I made too many mistakes. I brought them to show you. They’re all in this bag,” I explain, straining to bring the bag closer to him so he can see it better. The judge looks at my jacket and mutters to himself: “It looks like this woman has a lot of bricks in here.” Then he sighs and says, “Hmmmm – how do you beg?” “Guilty, Your Honor,” I whisper to him. “Guilty.”

However, the reality is that I carried that huge bag of guilt with me from the moment the officer told me that my teenage daughter, Arlyn, took her own life. I found the biggest sack I could and opened it. Then, I threw bricks of guilt at him, one by one.

In the sack, I placed bricks for every memory I had of the times I had raised my voice to my children. I laid more bricks on the occasions when I punished them for making childish mistakes.

If only I had been more patient

In the sack, I would put bricks for every time I was too busy grading papers or doing laundry or talking on the phone to give my children, the most precious people in my life, my undivided attention.

If only I had kept my priorities straight …

In this sack too, I added bricks for the memories of many times when I had not listened to my children with my heart.

If only I had been wiser

After Arlyn died, I walked around carrying my bag of guilt; it was a painful reminder that some of my actions may have contributed to the depression that led to her death. I didn’t pull the trigger that hot August day, but it felt like I did. For me, Arlyn’s suicide provided tangible evidence that I had failed the most important mission of my life: being a mother. I deserved to have to spend the rest of my life carrying a heavy bag of bricks. This was almost a complete change from the attitude he had before Arlyn’s death. Before August 7, 1996, I had confidence in myself; I had achieved the goals I set for myself, so I thought I knew everything. If there had been a Miss Arrogance pageant, she would have won the crown.

But I fell to my knees when Arlyn died, and I would never be upright again. Any crown on my head was broken. After Arlyn’s death, the world stopped making sense. I doubted everything I had learned, my beliefs and my values. Above all, I saw myself as a great failure in life. So here I was, trying to get by each day, attached to this huge and burdensome bag of guilt that I couldn’t and didn’t want to put down.

Ughhh! My sack of bricks was so heavy – the bricks representing all the mistakes in my life were so heavy that I would need the help of a bulldozer to move them, at least. Most of the bricks in the sack had to do with Arlyn: sins of commission and sins of omission. Arlyn had committed suicide and the guilt I felt consumed me. Every day after waking up, I would stand at the foot of the huge ugly load and look at it. As much as I hated him, I felt connected to him. Sometimes he would reach out and stroke the bag up and down with one hand, never letting go with the other. It was mine.

Day after day, I stood there, clinging to my bag full of guilt bricks. Friends passed by and shook their heads at me. “Let go of your fault, Karyl. It’s not your fault!” they would say, often shaking their heads in disgust. “You are wasting your life,” others would say. “Arlyn wouldn’t want you to wear that jacket forever.” I disconnected them. What Arlyn wanted or didn’t want didn’t matter. She was not here to speak.

Sometimes I would try to explain how much I needed to hold onto the guilt, but they argued louder. So, I closed my ears and turned around. They could not understand. So it was. Life went on for those around me and I was alone. Except I had my bag of guilt to keep me company.

But then one day, for no particular reason, I reached into the bag and pulled out one of the bricks. It was dated July 5, 1996. It said: I went to Germany, so I was not here to take care of Arlyn during her last month of life.

I’ve thought about it. If I’d been here, would I have realized that something was wrong with Arlyn? It is possible that he would have. At the same time, it is more likely that I had not noticed anything.

Arlyn was a master at deception, apparently; He had been hiding his pain for years. So what makes me believe that it would have suddenly changed and became transparent?

Then my tears started to fall. I felt hot tears running down my cheeks. They were for Arlyn: Arlyn, my sweet little girl who was trapped in her own dark world by something beyond her ability to comprehend.

It hurt me a lot to remember. So bad.

But then the tears started falling faster and they felt even hotter against my face. These tears were different; them for me.

I was also trapped in my own dark and lonely world, carrying this heavy load of guilt. I was also trapped by something too complex for me to understand.

Did I really deserve the extra weight of the brick dated July 5, 1996 just because I went to Germany? Was I a terrible mother because I took a vacation that I had dreamed of for years?

In my heart, I knew I hadn’t neglected Arlyn by going on vacation. In my heart, I knew I didn’t need that extra brick to add weight to the overloaded bag.

But could you bear to throw it away? Would the world collapse if I took it out of the bag? I thought for a while as I ran my hands over the brick. It felt rough and hard and cold. Yes, I needed it. No, I did not do it. Yes, I needed it. No, I did not do it. Yes, I needed it. No, I did not do it.

Finally, I placed the brick on the ground next to me and waited. I didn’t hear loud thunder noises; the earth below me did not tremble. I looked at the sack he had been carrying. It really didn’t look any different. I tried to push it; It didn’t feel lighter, but I knew it was. It had lightened the load a bit. I took a step forward and felt a gentle breeze brush my cheek. A butterfly flew by.

Quote of the day:

Guilt is the source of pain; It is the field, the field of revenge, that follows us behind with whips and stings. ~ Nicholas Rowe

There are thousands of varieties of rice available around the world, of which ‘Sonamasuri’ is a very popular rice variety. It is a high-yielding rice variety and is developed from the very famous rice varieties, namely Sona and Masuri. It has acquired both a national and international reputation due to exports to many countries around the world.

Sonamasuri is a premium rice. The two varieties of Sonamasuri, brown and white, are available in the market. It is a medium grain and aromatic rice. It is lightweight and also low in starch. Sonamasuri rice is used in various dishes such as fried rice, sweet pongal, bhaths, and even Idlis.

Sonamasuri brown rice is a healthy option to add to meals. It has bran that provides a natural integrity to the grains. The nutritional value of brown rice is less damaged by the refining and polishing process.

It is a rich source of manganese and an excellent source of minerals such as selenium and magnesium. Manganese is an essential element of an antioxidant enzyme superoxide dismutase, responsible for protection against free radical damage.

In addition, manganese helps produce energy and is important for the synthesis of fatty acids. Selenium is an important mineral that protects against cancer, as this vital nutrient is incorporated into the active site of several proteins.

Since only the husk layer is removed from the rice grains, the grains are rich in fiber content. It also helps maintain digestive health and prevents problems like constipation. Brown rice has a low glycemic index (GI) and is therefore beneficial for those with diabetes. Brown rice is associated with several other benefits such as lowering high blood pressure, reducing the risk of heart attack, and maintaining good heart health.

Sonamasuri brown rice after cooking gives it a chewy texture. To cook, soak brown rice for a few hours before cooking, so that it cooks easily and the rice becomes softer.

Sonamasuri white rice is widely used in India. This version of white rice is healthier than basmati. It is not as polished as the other generally available white rice, especially basmati rice, and therefore retains a bit more nutrients. Most of the calories are obtained from rice due to its high carbohydrate content. The carbohydrate content in Sonamasuri rice is lower and therefore the nutritional value is higher. They provide energy to the body and promote the proper functioning of various vital organs such as the heart, brain, liver, and kidneys. Sonamasuri rice provides a certain amount of protein. It is rice without fat and without sodium. It is the most suitable rice for nutrition and weight loss.

Prepare delicious recipes with organic Sonamasuri rice, both brown and white for a healthy and tasty snack during meals. Organic products are preferred as they are free of synthetic fertilizers and pesticides. Buy authentic, high-quality organic Sonamasuri rice, both brown and white varieties; Contact the most trusted organic product suppliers in India.

While playing an online game similar to Danger, I was intrigued by one of the categories. It was titled “Seven Letters, One Syllable,” a category of words in which an English teacher like me should have excelled.

Unfortunately, I managed to get only three of the six questions, although all the words were familiar to me. Two of the ones I answered correctly were “stretch” and “straight”, both accompanied by relatively easy hints.

That category is limited to just a couple dozen words, not counting the regular verbs that simply add -to form the past tense. I never realized how rare it is for a one-syllable word to have up to seven letters.

That understanding, for some reason, reminded me of song titles that contain seven words. This category is also quite rare, as most melodies have only two or three words in their titles. Billy Joel reached number one with a seven-word title, “It’s Still Rock and Roll To Me” from his Glass houses album.

Here is a list of fifteen other titles that actually contain seven words.

“You have to hide your love” by The Beatles

John Lennon’s acoustic melody endures as one of the highlights of the To help! film and soundtrack.

“Don’t expect me to be your friend” from Lobo

Among the folk singer’s biggest hits, including “Me and You and Dog Named Boo” and “I Love You to Want Me,” this heartthrob resonates as his best moment.

“Is she really dating him?” by Joe Jackson

The new British waver burst onto the scene in the late 70s with this smash hit by Sharp look!, which generates comparisons with his British compatriot Elvis Costello.

“You didn’t have to be so nice” from Lovin ‘Spoonful

John Anderson, his late ’60s folk rock group, had many hits, but this love melody was by far the longest title on his discography.

“Waiting for the end of the world” by Elvis Costello

At the time when Joe Jackson was questioning female taste in men, his British partner Declan McManus was using this tune to close My aim is true one of the best records in rock history.

“The People Who Smiled to Death” by Housemartins

These contemporaries of Smiths and Aztec Camera released just two albums, and this title track is a delightful display of the great sound they managed to create.

“Sex and Drugs and Rock and Roll” by Ian Drury and the Blockheads

Almost half of the words consist of the most common conjunction, but all four nouns exude the vibrancy of the British New Wave of the late 1970s.

“White Boots Marching in a Yellow Land” by Phil Ochs

Folk legend’s objection to the Vietnam War continued throughout the 1960s, but none of the protest songs were as blatant as this full-length tune.

“The City That Lost Its Rhythm Supply” by Minus Five

One of the best albums released in the first decade of this century was called Down with Wilco which featured Jeff Tweedy himself on this track and others.

“When You Dance I Can Really Love” by Neil Young

This melody was the perfect way to close After the gold rush, the album that featured the classic title track along with “Tell Me Why” and “Southern Man.”

“I’m trying to break your heart” by Wilco

Jeff Tweedy reached a creative peak Al with tunes like this and others from Yankee Hotel Foxtrot.

“Lily, Rosemary and the Jack of Hearts” by Bob Dylan

The long title is the eleven-minute tale about murder and betrayal, two themes that permeate the iconic Blood on the slopes album.

“I saw a stranger with your hair” by John Gorka

The pioneer of new folk from the late ’80s burst onto the scene with this tragicomic ballad, one of the many highlights from the debut album. He.

“I can’t get it out of my head” by the Electric Light Orchestra

Jeff Lynne finally made it to the Top Ten with this track by The Golden which would soon be followed by a plethora of others throughout the seventies and eighties.

“You can’t always get what you want” from the Rolling Stones

It is a long title according to a long melody, the most enduring song of the group. Let it bleed album.

Let’s be honest; we’d all like to hit the golf ball a bit more. The golf club industry is driven by this fact, and they are continually improving their products by experimenting with different metals and composites to produce their latest golf clubs.

I discovered a few things as I continue on my never-ending journey for more distance and consistent results when I get closer to hit a golf ball. The things I discovered seem pretty obvious to me now, but they haven’t been in the last twenty years. As we get older, we lose some things that we took for granted when we were younger. Two of the things we lose are strength and flexibility. There are other things we lose as we age, but for the purpose of this article, the ability to read the newspaper without wearing glasses or having a full head of hair is not important. Now, I don’t mean the strength of an Olympic weightlifter or the flexibility of a Cirque du Soleil artist. What I mean is the strength and flexibility of the golfer. So how do these two factors equate to a golf tip for distance?

By strengthening specific golf muscles and becoming more flexible, or rather, by not allowing ourselves to lose the flexibility we have, we can increase the speed of our club head. If we combine this along with increasing our stamina, our swing doesn’t get sloppy as our round of golf moves into the last nine. This is as simple as a golf tip for distance that I know of.

How do we use this golf tip to distance ourselves from the busy lives we all lead? First, I have to ask you if you are serious about increasing the strength of your golf specific muscles. Now, are you serious about increasing, or at least maintaining, the flexibility of your golf specific muscles? If you answered yes to those questions and have about twenty minutes a day to dedicate to your goal, then I have a suggestion for you. Personally, I have used the Momentus strength trainer not only to increase my strength, but also to increase my flexibility. The product is designed so that you can use it inside your home to keep your golf specific muscles strong and flexible even during the off-season. By maintaining your strength and flexibility during the winter months, this makes for a very practical golf tip for the distance. When spring rolls around and you’re ready to hit the golf course, you’ll have a leg up on your fellow golfers and they might ask you for your golf tip for the distance.

With the Momemtus Strength Coach, you will also receive an instructional video and booklet detailing the golf swing exercises and lifting exercises that you will perform six days a week for 18 minutes. That is your time requirement, 18 minutes per day. Even if your schedule is packed with work and family commitments, you can get up just half an hour early and do your swing workouts or lifting workouts for the day and you’re on your way to achieving your longer, straighter, and more consistent goals. Flight of the ball from this simple golf tip for distance.